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This section needs additional citations for verification. (“Reflections on the water”), “ Brouillards” (“Mists”), etc. Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel motion, extra-musicality, and evocative titles such as “ Reflets dans l'eau” The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. to make the observer focus their attention on the overall impression. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's Impression, Sunrise. Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.
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During this time, Sargent was also a houseguest at Vizcaya and created a watercolor portrait of James. Prominent American artist John Singer Sargent came to Miami in 1917 to visit his old friend Charles Deering, James Deering’s half-brother. John Singer Sargent and the Deering brothers Reproduction of watercolor original in Private Collection. John Singer Sargent, Portrait of James Deering, 1917.